YOU CAN'T BE SERIOUS


But somebody has to be—or tennis is doomed. Only John McEnroe, the incorrigible superbrat, commands enough, er, respect to save the game.

By Tom LeCompte for Proof magazine

Let's get one thing straight: John McEnroe is not nice.

If you think that at 43, the "superbrat" of tennis might have grown up—then you probably haven't seen him on the senior circuit, where he often reprises his childish antics and even finds new ways to inspire disbelief and dismay. Whether ridiculing officials, threatening fans or insulting his fellow players, McEnroe regularly shows himself to be boorish and mean-spirited, an unruly competitor who answers to no authority other than, perhaps, his own twisted soul.

Which is why it is only with deep misgivings that I contend that maybe, just maybe, he's also the one guy who can save tennis.

Can I be SERIOUS? Actually, desperate might be closer. Tennis needs help, and nowhere is that help more needed than at the top of the sport's ruling organizations. In fact, tennis is probably in the worst shape of any major sport today.

Most conspicuously, tennis lacks a commissioner—something baseball has had since the infamous Black Sox gambling scandal of 1919 shamed the nation's pastime into creating an independent office to set policy, enforce rules, mediate disputes and protect the "best interests of the game" from short-term money grabbers. In today's era of hypercommercialized sport, the need for a commissioner has only become more urgent. Tiger Woods may grumble about bending his schedule to the wishes of PGA Tour commissioner Tim Finchem, but that's just the point; commercial sponsors shouldn't be the only ones telling golf's most marketable commodity when and where to tee up.

Tennis can assert no such control over its own interests. Instead of having a central authority, the sport is run by a UN-like gathering of organizations, from the International Tennis Federation (ITF), which oversees the four Grand Slam events and international team competitions like Davis Cup; to the Association of Tennis Professionals (ATP) and the Women's Tennis Association (WTA), the two player groups that control the rest of the tour events; to ITF-recognized national bodies like the United States Tennis Association (USTA), which operates the U.S. Open, and France's Fédération Française de Tennis (FFT), which runs Roland Garros; all the way down to—well, trust me, there's hardly a principality or duchy without one.

And let's not overlook tennis's de facto rule makers: the television networks, namely ESPN, CBS and NBC; sports agencies such as IMG and AMG; and, of course, the equipment makers and corporate sponsors, who can be forgiven for thinking they're paying for everything. This alphabet soup of often conflicting interests reliably produces one thing: inaction. Since the game turned professional in 1968, tennis has failed to convert the millions of recreational players into a reliable fan base. For one reason or another, even compelling rivalries such as Borg–McEnroe and Sampras–Agassi were allowed to sputter after just a few promising matches. Unfortunately, this pattern of missed opportunities is beginning to have implications for the sport's long-term survival.

Consider the ITF's Davis Cup—a globe-spanning competition that ought to command interest on a par with golf's Ryder Cup and maybe even soccer's World Cup, the one tennis event where boisterous crowds are expected and even officially encouraged. Yet in the U.S., Davis Cup attracts only tepid support be-cause the top players are under no obligation to participate and often choose to skip the events, with their remote venues and risk of injury. If they can't get interested, why should we?

Tennis's "no controlling authority" mentality means the sport can't make a decision even when one is demanded. Take the case of Larisa Neiland, a Latvian player who retired at age 32 last winter. At the 1999 Australian Open, Neiland arrived jet-lagged and listless. She thought a caffeine pill might pick her up. Aware that she could be disqualified for having too much caffeine in her system, she asked her agent to consult the ITF's published guidelines, then carefully took an amount she figured was allowable. But ITF's testers declared Neiland over the limit; she was expelled from the tournament and stripped of approximately $15,000 in winnings. It turned out the ITF's guidelines contained a typographical error—which accounted for Neiland's miscalculation.

Neiland subsequently spent $50,000 in legal fees appealing to an ITF-appointed panel. Although the panel acknowledged the error, it refused to take any remedial action and let the penalty stand. Neiland turned to the WTA. But if she expected to find in the players' union a ready ally, she was mistaken; the WTA claimed it lacked the authority to interfere with an ITF ruling. Neiland's legal team appealed to the Court of Arbitration for Sport in Switzerland, a high court of Olympic-sanctioned sports, which also refused to hear the case. After two years of litigation she was left with a disheartening choice: Abandon her fight for justice or turn to the civil courts, a messy, expensive, time-consuming process that would only embarrass the game and further embitter Neiland. When Neiland left the tour last winter, her legal dispute was still unresolved.

Amid such structural dysfunction, it's no surprise that the real power in tennis resides with those who have the most money: a few top players, a couple of big organizations, a handful of agents, the sponsors and the TV networks—all of whom benefit from maintaining the status quo. Consider the issue of pay equity, not just between women and men, but within the top ranks of touring pros. Whereas the minimum salary for the NBA's 348 players is $332,817, only 69 men in the world made as much playing tennis in 2000.

The world's 300th-best singles player in 2000, an American named Brandon Hawk, took home just $14,565, or less than a third of the estimated $50,000 a year it costs a player in travel, accommodations, coaching and other expenses just to compete. Unfortunately for the Brandon Hawks of tennis, the wealthy powers that stand to gain when a new star breaks through—namely TV and the sponsors—are also keen to preserve their investments in the existing steep hierarchy, topped by the marquee names. And why should the big names want to level the sport's pay scale? It would only mean less for them.

By contrast, note what happens when TV complains that the matches are too long or the points too boring: With TV money in jeopardy, tennis seems willing to try any "fix". Last year the Australian Open simply eliminated the third set in best-of-three-sets mixed-doubles matches in an effort to fit matches within predictable time slots; a 12-point tie-break game was used to settle one-set-all matches instead. The change reduces closely contested matches to just a handful of points, increasing the likelihood that mere chance or a bad line call will prove more decisive than skillful play.

This same willingness to reshape tennis into a more TV-friendly sport can be seen in proposals to adopt no-ad scoring or to scrap the best-of-five-sets format altogether. Imagine if baseball decided, in the interest of making game times more predictable and easier to fit within TV schedules, to play six innings instead of nine—or to call batters out after two strikes instead of three. The danger is that tennis's proposed fixes not only would fail to attract new fans but would also alienate traditional fans in the process, which really would send tennis into sports oblivion.

Weak, decentralized authority has also produced a "season" that lasts 12 months. This endless season saps fan interest and takes its toll on players, too. Among the stars recently sidelined by injuries, in some cases for months at a time, are Sampras, Rafter, Agassi, Rios, Philippoussis and Moya. But although shortening the season could bolster the game's health in many ways, this suggestion never gets a fair hearing: The elite players have no interest in eliminating minor tournaments that offer them big fees just for showing up. A commissioner, given the authority, could navigate the competing interests in the game, rally support and by sheer force of will push through such necessary changes.

That's why tennis needs the superbrat. Sure, McEnroe is egotistical, self-serving, belligerent and prone to saying the first stupid thing that pops into his head; but he understands the game, its history, the players and the whole battlefield of off-court interest groups. Moreover, he has the stature among the public, the players and the media to make an immediate impact.

He is also independent, a man who has already made his millions and proves only too often that he is beholden to nobody. And whatever you think of his on-court behavior, his passion for the integrity of the game and its traditions is real. It shows in his devotion to Davis Cup play, his lamentations over how the power game favored by racquet makers has robbed tennis of finesse and artistry and his annoyance at the design of the U.S. Open's new showcase venue, Arthur Ashe Stadium, which leaves players surrounded by empty luxury box seats while devoted fans need binoculars to follow the action from the upper tiers. He's both a fearless critic and the quintessential fan. Simply put, he loves the game.

Still can't stand Mac? OK, I suppose others might do: Billie Jean King, Rod Laver, Martina Navratilova, Bud Collins. Come to think of it, what's Senator Clinton's husband doing these days? Make no mistake: Tennis's hour of need is upon us. If the television networks continue to wield control of the game, it won't be long before André Agassi shows up at Wimbledon wearing the futuristic armor he dons in one of his TV ads, the one that has him swatting metallic spheres into some sort of video-game goal from the seat of a motorcycle. Whatever they call it, it won't be tennis.

McENROE'S RECENT debut as host of The Chair, a TV quiz show that has nothing to do with tennis, doesn't strengthen the case for tapping him as tennis's first commissioner. More damaging still was his perfor-mance as captain of the U.S. Davis Cup team in 1999–2000. (His younger brother Patrick has succeeded him.) McEnroe unexpectedly resigned after serving just 14 months, following a losing season in which he openly criticized his own players (both Sampras and Agassi skipped key matches owing to injuries). He also failed to gain support within the ITF hierarchy for a plan he had advocated before assuming the U.S. captaincy to shift Davis Cup to a biannual format that would focus fan attention and reduce players' scheduling conflicts.

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